An Analysis of Class and Gender Conflict in Pygmalion Essay -- World L

Pygmalion is a serious analysis of mob and gender conflict. Bernard Shaws play, entitled Pygmalion, transcends the nature of drama as a modal(a) to be utilized for sheer entertainment value. Shaws play powerfully comments on the capacity for the individual to overcome the boundaries established by systems of row and gender. paramount assumptions and expectations may fundamentally prevent an individual from becoming socially diligent deep down a seemingly rigid hierarchical social structure. However, Liza, the virtuoso utilizes language as the tool which enables the her to escape the confines of the lower class and to be regarded as a human of a certain story of worth within society. As Liza transforms from flower girl to duchess, the interview is witness to the many ways that an individual can be put down through the socialisation process. Issues of both class and gender arise from the tensions within the play that surround the interactions between Higgins and Liza and the viewer is able to openly question the values that exist within a society that adjudicate the character of a person on the basis of wealth and education. henry Higgins represents the upper class of society, those that atomic number 18 expected to be both improve and wealthy. He is profoundly aware of his status and is not particularly sympathetic towards those of the lower class. This is revealed as he is first introduced to Liza and refers to her as a squashed cabbage leaf. (Shaw, 200318) This first scene is important as it establishes the class differences that are evident within the language contrasts of each of the characters. Higgins plays an important role in establishing this theme as he places great emphasis on phonetics. He has the ability to place an i... ...e society of Shaws time and of contemporary society. Liza is an nonsymbiotic woman at the closing of the play, when one takes into consideration that she possesses an assertive understanding of free will and a determination to maintain her strength of character. Ultimately, Lizas pressure level on remaining true to herself is a positive ramification of a transformation process, that in itself presented many moral questions to the perceptive audience. The protagonist has confronted the obstacles obligate on her by social conventions, with regards to both gender and class stereotypes, and has essentially deconstructed the boundaries that had previously prevented her from fulfilling her own capabilities and sense of self worth. Bibliography Bentley, E. Bernard Shaw, 2nd edn. capital of the United Kingdom Methuen, 1967. Shaw, B. Pygmalion, London Penguin Books, 2003.